By S. Douglas Olson (ed.)
This assortment presents an summary of the reception heritage of a big literary style from Greco-Roman antiquity to the current day. taking a look first at Athenian comedian poets and comedy within the Roman Empire, the amount is going directly to talk about Greco-Roman comedy's reception in the course of the a long time. It concludes with a glance on the sleek period, taking into consideration literary translations and degree productions in addition to smooth media equivalent to radio and picture.
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Extra resources for Ancient Comedy and Reception. Essays in Honor of Jeffrey Henderson
1, Horace all but confirms this, depicting a conversation with a lawyer friend named Trebatius, in which the poet asks Trebatius how he should respond to popular criticism of his satire: sunt quibus in satura uidear nimis acer et ultra legem tendere opus; sine neruis altera, quidquid composui, pars esse putat similisque meorum mille die uersus deduci posse. Some people think that I’m too sharp in my satire, and that my work transgresses its laws; but another group thinks whatever I compose is anemic, and that a thousand verses like mine could be spun out in a single day.
K. at the time. I am reliably informed that Duckworth, the book’s publishers, sent staff to the British Museum to collect the images to be used in Greek Homosexuality in person for fear that, by sending them by post, the firm might be prosecuted under Section 11 of the Post Office Act 1953 (United Kingdom). 4 Times were changing and The Maculate Muse blazed a trail for others to follow. The continuing influence of The Maculate Muse is apparent to contemporary students of Aristophanes and Greek sexuality alike.
15–36. 32–4. 7. 4–8. ”23 Euripides and his unnamed relative are outside the house of the tragic poet Agathon, where they have the following exchange (Th. 29–35). Ευ. Κη. Ευ. Κη. Ευ. Κη. Ευ. Κη. Ευ. ἐνταῦθ’ Ἀγάθων ὁ κλεινὸς οἰκὼν τυγχάνει ὁ τραγῳδοποιός. ποῖος οὗτος ἁγάθων; ἔστιν τις Ἀγάθων— μῶν ὁ μέλας, ὁ καρτερός; οὔκ, ἀλλ’ ἕτερός τις· οὐχ ἑόρακας πώποτε; μῶν ὁ δασυπώγων; οὐχ ἑόρακας πώποτε. οὔτοι μὰ τὸν Δί’ ὥστε κἀμέ γ’ εἰδέναι. καὶ μὴν βεβίνηκας σύ γ’· ἀλλ’ οὐκ οἶσθ’ ἵσως. Eur. Inlaw Eur.
Ancient Comedy and Reception. Essays in Honor of Jeffrey Henderson by S. Douglas Olson (ed.)