By Annmarie Chandler, Norie Neumark

ISBN-10: 0262532859

ISBN-13: 9780262532853

Networked collaborations of artists didn't start on the net. In this multidisciplinary examine the perform of paintings that occurs throughout a distance -- geographical, temporal, or emotional -- theorists and practitioners learn the ways in which artwork, activism, and media essentially reconfigured one another in experimental networked initiatives of the Nineteen Seventies and Eighties. through supplying a context for this paintings -- exhibiting that it was once formed by means of various mixes of social kinfolk, cultural techniques, and political and aesthetic issues -- At a Distance successfully refutes the commonly approved concept that networked paintings is technologically decided. Doing so, it presents the old grounding wanted for a extra entire realizing of ultra-modern practices of net artwork and activism and indicates the probabilities inherent in networked practice.At a Distance lines the background and conception of such experimental paintings tasks as Mail paintings, sound and radio artwork, telematic paintings, assemblings, and Fluxus. even supposing the tasks differed, a conceptual wondering of the "art object," mixed with a political undermining of dominant artwork institutional practices, lively such a lot distance paintings. After a piece that units this paintings in old and important viewpoint, the publication provides artists and others inquisitive about this artwork "re-viewing" their paintings -- together with experiments in "mini-FM," telerobotics, networked psychoanalysis, and interactive booklet development. eventually, the e-book recasts the historical past of networks from the views of politics, aesthetics, economics, and cross-cultural research.

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Extra resources for At a Distance: Precursors to Art and Activism on the Internet (Leonardo Books)

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It certainly need not bear traces of hand making, nor reveal an emotional content grounded in individual experience. It could make use of any kind of mechanical or electronic process or equipment and need not result in any permanent or stable work. It could be Johanna Drucker 44 brought into existence entirely through documentation or a performative action and might in fact have no other existence outside the perceived effects of these instruments. Described in this way, electronic and information art finds support for many of its conspicuous features within a host of practices, rather than being seen as anomalous or marginal.

We use the figure of distance art/activism to focus on the way both art and activism were inevitably, if differently, implicated in all the projects discussed in the volume, whether in the foreground or the background. By addressing this relationship between art and activism, the authors here, artists, artists/activists, and cultural theorists alike, make a significant contribution to our understandings of both art and activism, as well as to the culture of the second half of the twentieth century.

But even more profoundly, the very conception of the structure and experience of works of art seemed poised for change. Not only were new materials and media to be engaged, extending modern art’s fascination with mass culture, but a serious rethinking of the very idea of “art” appeared on the edge of radical transformation. 24 Experience-based rather than object-based work sprang up in one location after another. 25 Scattered throughout the United States, Europe, and Japan and other locations, antiformalist impulses were not part of any single movement.

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At a Distance: Precursors to Art and Activism on the Internet (Leonardo Books) by Annmarie Chandler, Norie Neumark


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