By Piers Anthony
Orb had an extraordinary gift—the magic which manifested every time she sang or performed her harp. not anyone may possibly face up to her song. yet she knew that higher magic lay within the Llano, the mystic track that managed all issues. the hunt for the Llano occupied Orb's existence. till she met Natasha, good-looking and captivating, and a fair finer musician. yet her mom Niobe got here as a side of fireplace, with the inside track that Orb have been selected for the position of Incarnation of Nature—The eco-friendly mom. yet she additionally warned of a prophecy that Orb was once to marry Evil. may perhaps she make sure Natasha was once not likely devil, the grasp of phantasm, laying a catch for her...?
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Additional resources for Being a Green Mother (Incarnations of Immortality, Book 5)
In the resulting war between Sauron and the Elves Middle-earth, especially in the west, was further ruined. Eregion was captured and destroyed, and Sauron seized many Rings of Power. These he gave, for their ultimate corruption and enslavement, to those who would accept them (out of ambition or greed). Hence the ‘ancient rhyme’ that appears as the leit-motif of The Lord of the Rings, Three Rings for the Elven-Kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his dark throne In the Land of Mordor where the shadows lie.
The Elves of Eregion made Three supremely beautiful and powerful rings, almost solely of their own imagination, and directed to the preservation of beauty: they did not confer invisibility. But secretly in the subterranean Fire, in his own Black Land, Sauron made One Ring, the Ruling Ring that contained the powers of all the others, and controlled them, so that its wearer could see the thoughts of all those that used the lesser rings, could govern all that they did, and in the end could utterly enslave them.
143–157, with minor corrections and the omission of some of the footnotes. ’ Here the typist certainly omitted words in the manuscript, and perhaps misread those given as well. I have removed a number of errors in the text and index which until now have escaped correction in the hardback printings (only) of The Silmarillion. 154, §31). R. TOLKIEN TO MILTON WALDMAN, 1951 My dear Milton, You asked for a brief sketch of my stuff that is connected with my imaginary world. It is difficult to say anything without saying too much: the attempt to say a few words opens a floodgate of excitement, the egoist and artist at once desires to say how the stuff has grown, what it is like, and what (he thinks) he means or is trying to represent by it all.
Being a Green Mother (Incarnations of Immortality, Book 5) by Piers Anthony