By Susan Zeelander

ISBN-10: 900421822X

ISBN-13: 9789004218222

There was a lot dialogue of narrative elements of the Bible lately, however the ends of biblical narratives – how the ends give a contribution to closure for his or her tales and the way the finishing techniques impact the complete narrative – haven't been studied comprehensively. This learn indicates how the writers and editors of brief narratives in Genesis gave their tales a feeling of closure (or in a number of situations, the experience of non-closure). a number of and infrequently unforeseen, different types of closure are pointed out; jointly those shape a collection of closural conventions. This contribution to narrative poetics of the Hebrew Bible within the mild of resource feedback may also be worthy to those that have an interest in narrative and in options of closure.

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Extra info for Closure in Biblical Narrative

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25 Todorov observed that Propp’s syntax of functions led to transformation— a relationship between characters is transformed, distorted facts (or situations) are corrected, a riddle is solved, or a prediction is realized. Over the course of action in a plot, many elements can be transformed. He explained that the major plot transformation is what makes a narrative feel or appear complete. 26 This provides clarity to the actions that mark the advancement of the plot. But it must be remembered that an artistic text is not ‘designed’ to fijit into any critic’s system.

Kermode discusses the psychological and metaphysical needs of people to make coherent patterns of their lives and to make those patterns consonant with the structures established in religion and history, even if history and experience are at odds with those patterns. 7 Frank Kermode, The Sense of an Ending, 17. 8 Gen 27:1–45 is from the J-source; Gen 27:46–28:9 is from the P-source. 9 The separate structure of each of these stories is demonstrated in Chapter 6, in the discussion of the ritual of blessing.

He explained that the major plot transformation is what makes a narrative feel or appear complete. 26 This provides clarity to the actions that mark the advancement of the plot. But it must be remembered that an artistic text is not ‘designed’ to fijit into any critic’s system. This approach, like any other, should be viewed as a guide that helps explicate the narrative. A few of the narratives in this study have minimal action, and for them I use the guide of a “minimal story,” that is, three ‘events’ are conjoined in such a way that the fijirst event precedes the second chronologically and the second precedes the third.

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Closure in Biblical Narrative by Susan Zeelander

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