By Robert Morrissey

ISBN-10: 1608956334

ISBN-13: 9781608956333

Advertisement photos are powerful, expertly lit photos that command the audience cognizance and converse whatever in regards to the services or products that grabs and holds the audience recognition. during this ebook, Robert Morrissey introduces reader to the instruments of the alternate. Readers will easy methods to opt for and place lighting for a large choice of jobs - from huge items like vehicles to small, extra difficult items like jewelry. With the fundamentals coated, the consultant is dedicated to the creation of over forty photos, made for genuine assignments.

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Additional resources for Commercial Photographer's Master Lighting Guide: Food, Architectural Interiors, Clothing, Jewelry, More

Example text

Statue. the statue. Note: The photos in this chapter were taken by Robert Morrissey and Justin LeVett. Strobes with 20-degree grids are placed at the back corners of the set. These lights are aimed at the back of the statue. A strobe fitted with a 20degree honeycomb grid is placed at the back-right corner of the set and aimed at the statue. A second strobe fitted with a 20-degree honeycomb grid is placed at the front-left corner of the set and aimed at the statue. A strobe fitted with a 20degree honeycomb grid is placed at the back-right corner of the set and aimed at the statue.

Strobe is also in the P1 posi- The left-hand strobe is also The left-hand strobe is also tion. Both lights are powered in the P1 position. Both lights in the P1 position. The back- equally. A bounce card is are on equal power settings. light, fitted with a 20-degree added between the camera A bounce card is placed to the honeycomb grid, is aimed at and the ball and reflects light back of the set to reflect light the top of the ball. All three upward from the bottom of onto the back of the ball.

A 6-foot white bounce card white bounce card is positioned at the front- is positioned in front of the subject on the right right corner of the set and aimed toward the side at a 45-degree angle. It bounces light onto subject at a 45-degree angle. It reflects light the subject, bringing out detail on her face and onto the subject, bringing out detail on her face body. A thin vertical softbox is placed in the and body. A thin vertical softbox is placed in back-right corner and aimed at the subject.

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Commercial Photographer's Master Lighting Guide: Food, Architectural Interiors, Clothing, Jewelry, More by Robert Morrissey


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